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Her accomplishments, beginning at the age of ascension at 18, cannot be underplayed, especially since she was sheltered as a child and ascended to throne in an era when her youth, gender, and small stature were dismissed out of hand.
The series humanizes that dour picture we have in our heads and instead presents a complex, intriguing, rebellious, strong-willed, and very lusty woman, whose romance with her husband Prince Albert was as tumultuous as her reign.
Despite the departure of Bryan Fuller as showrunner (he’s focusing his energies on “American Gods” instead), we still have faith this will be a new series representing the best intentions of our time: all-inclusive, badass, futuristic and appropriately nerdy, and delving into canon.
The casting is already making us happy with its gender and multicultural equality, and the big-screen reboots have teased a taste for this world again. Network: Showtime Release Date: TBA 2017 Talent: David Lynch (EP and director), Mark Frost (EP), Kyle Mac Lachlan, Madchen Amick, David Duchovny, Sherilyn Fenn, Miguel Ferrer, Ray Wise, Russ Tamblyn, Alicia Witt and a slew of new cast members We have been teased with promises of “Damn good coffee,” for three years now, so we are more than ready to return to the small town with crazy, murderous secrets lurking beneath its too-perfect surface.
We will follow Bryan Fuller anywhere, even if most of his shows break our hearts with their short runs, for his strength of creative vision and full embrace of dark humor. Casting Moss as the protagonist Offred, a Handmaid who is tasked with having sex with her Commander to hopefully bear him a child in an era of rampant infertility, is the first brilliant move the series has made.In the era of TV revivals, this followed such an iconic and unique series that we wonder at what the appetite will be. Network: Netflix Release Date: TBA 2017 Talent: Mary Harron (director), Sarah Polley (writer), Anna Paquin, Sarah Gadon, Edward Holcroft, Zachary Levi, Kerr Logan, Michael Therriault One of two Margaret Atwood adaptations we’re looking forward to this year, this Canadian co-production returns the director of “American Psycho” to murder — specifically, a historical drama about two real-life murders in 1843 Canada.Other than many returning familiar faces (alas, not the Log Lady), we have no freakin’ idea of what to expect… As it’s an Atwood story, there’s a lot more to it, especially when it comes to the relationships between men and woman — something Polley, who’s turned out to be an impressive writer, should be able to mine.The concept of thoughtform creating the reality of gods merely because people believe in them is central to the premise of how Odin, slumming it as a guy named Mr.Wednesday, is trying to gather the old gods together.